Home Ready to wear An American View Spring 2002 ready-to-wear collection

An American View Spring 2002 ready-to-wear collection


PierrotKnits from were first seen on Miguel Adrover’s runway during the Spring 1999 season. His second solo collection exuded Old World, sultry sophistication – evidenced by her subtly shimmering black cocktail dress, shawls in crochet hook (including one sprinkled with golden sequins) and its lavender pointelle top.

Behnaz Sarafpour continued his exploration of black and white elegance. Her short white guipure dress was stunning in its simplicity; a black skirt with a white embroidered apron overlay summed up her confident and powerful aesthetic.

Tony smith is now in its second season, translating references from the past into sensitive and contemporary clothing. Smith’s modern-day gypsy cast a spell in a cotton voile blouse and navy woolen skirt with a gold lace panel.

Michel Soheil was inspired by the 40s Casablanca, but there was nothing old-fashioned about her asymmetric off-the-shoulder silk-jersey dress with a high slit. Scarf yokes, peek-a-boo red square appliqués and slit sleeves were all part of his repertoire.

Pierre Som combines architectural and cultural influences to create young and vivid designs. Where else could you find an eyelet and leather piping tennis dress?

Rebecca taylorGirly and kitten clothes are bold without being intimidating. The New Zealander’s eclectic ethnic mix included floral print dresses adorned with coins and feathers, lace fairy briefs, and crochet camisoles.

Tuléh, the design team of Bryan Bradley and Josh Patner, excelled with their chic and perfectly proportioned take on women’s clothing. A black and white printed coat was cut close to the body and fitted with large transparent buttons; a lively suit consisted of exquisitely mismatched tweeds.

Christine ganeaux has amassed a loyal following of hip city dwellers who live for its low cut pants and razors. There were plenty of them, flared at the boot, as well as a sexy black wool dress with a side zipper and a 60s-inspired orange leather coat dress.

Zero is Maria Cornejo’s line of unpretentious and wearable clothing that retains a distinctly avant-garde edge. Her cotton bodice dress, poncho T-shirt and hexagonal wrap skirt combine urban functionality with Japanese-influenced minimalism.

“An American View” would not have been possible without the contributions of many individuals and businesses who donated their time, services and products. Vogue and STYLE.com would like to thank the following people for their generosity and support.

Showroom: Carolina Herrera
Model agencies: Boss, DNA, Elite, Ford, IMG, Marilyn, Next, T Management, Women (see individual photos for model credits)
Hair: Danilo for The Wall Group
Makeup: Tina Turnbow for The Wall Group, using Stila and MAC cosmetics
Production: Deborah Hughes, Inc. and Fly Productions

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